Scissor Sisters, Ta-Dah

World stardom can't be easy to juggle. For over two years, you'd look up the word ubiquity in the dictionary and read Scissor Sisters, as they shifted three million units with one of the unlikeliest debut albums of all times. Forget camp, Scissor Sisters wore their sexuality on both sleeves, turning out catchy tunes and kitsch galore. After years of greyness, Scissor Sisters brought a welcome change, miles more colourful than any bored-looking popstar who'd make you scramble for the nearest sicknote in search of life.

That was 2004-2005. How they'd handle that 'difficult second album' was anybody's guess. And what a sturdy piece did they manage. Ta-Dah arguably contains the catchiest pop songs ever known to man. Ooh, in particular, with its wah pedals and funky beats is absolutely infectious at a glance, a hymn to putting back 'guilty feelings' and 'them blues' when you 'got magic in those dancing shoes'. Not to mention the bizarrely titled Paul McCartney, it'd go down a treat on any dancefloor anywhere in the country. And no doubt you've heard first single I Don’t Feel Like Dancin' about a million times already.

But here's where the praises end. I suppose many a band would bank on what are possibly the most annoyingly catchy tunes. They won't mind getting on people's nerves as long as that happens two minutes after they've bought your record. That's exactly the marketing ploy. And the Sisters are positively gifted at that. But I swear, a week after you buy Ta-Dah there's no better way of defining it than to say it's just TOO MUCH. How many Bee Gees-like falsettos and Elton John-esque honky-tonkying can you get away with before you objectively do people's head in?

You're bound to hear them non-stop as you zip your trolley round at your local Tesco, and they're destined to se